Night Mysteries: Le Prisonnier de lAmphore

Incarnez Natalie Cole, une jeune romancière qui souhaite rentrer chez elle aux Etats-Unis. Après des mois d’attente, vous embarquez sur un cargo mystérieux. Rencontrez le capitaine et son équipage et partez pour une aventure extraordinaire mais dangereuse, une traversée que vous n’êtes pas près d’oublier.

When it was conceived, it was beyond imagination that our cultural heritage was something that had to be so urgently, imperatively, saved from barbarianism and violence. Then we must also acknowledge that every archaeological site informally performs the basic principles of theatre: it is itself - even in terms of venue - a theatre of human history and experience, and it is supposed to be visited by an audience, the Visitors. Samuel Butler Bienvenue à Smalltown! And that means monuments and fabulous Sites. L'Amour s'est trouvé un amant Couché sur une corde d'argent Une rose noire entre les dents L'enfant deviendra grand Quand ses jouets vivront sur place Il aura laissé sa trace Une voix, ça tremble la première fois Ça dit n'importe quoi Des doigts, ça ramène tout vers soi Ça fait n'importe quoi Il n'a que l'écho de sa voix Seul dans sa peau Il se perd comme un rond dans l'eau La roue qui tourne sur elle Va s'envoler pour voir le premier ciel Il a perdu ses ailes Il peut grimper lui-même dans son échelle. As an organ of the Italian Ministry of Culture, it has the institutional task of protecting, conserving and valorising the archaeological heritage in the territory of Tuscany. Alors que vous deviez effectuer une simple mission de livraison de fournitures, votre avion est percuté par un dragon! It could be applied in every archaeological site, because every archaeological site in a way awaits a specific intervention in order to become more perceivable, less speechless. How to make this operation tangible to young people? Rejoignez une capitaine aventureuse à la recherche de son amour perdu dans ce jeu d'objets cachés romantique qui vous fera découvrir des paysages tropicaux, des marins ensorcelés et le pouvoir du véritable amour. On this I built and processed the concept applied to Carthage Byrsa for Nostoi. With their sensitivity and their creative skills, the artists can intervene to reveal the silent, hidden story of an archaeological site. There is no absolutely total silence: there is always a vibration, there is always a murmur, there is always a wind, a breeze.

Avec un choix de relations très intéressantes entre les deux sites, qui je pense a été stimulant également pour les jeunes artistes italiens. If science affects material, Art should act on the immaterial and therefore on the Senses more than on the Essence. Le projet Nostoi se propose de faire exactement cela. The idea was to offer the public a different way of contacting cultural heritage, whether found in wide open spaces such as archaeological sites or within Museums, in order to make the general end-users and enthusiasts aware of archaeological topics through theatrical means. When we visit a site, we feel an urge to communicate with a topos, with something that is real, absent and mute. Chaque site archéologique est une nécropole. As consultant archaeologist working with the artistic director and particularly with the young Italian artists, I found this interpretative instrument to be the essential common ground for dialogue in approaching the project; yet the same instrument appeared to be unusable, I found, with the young Tunisian artists. Therefore the words, the explanations, the terminology I had to use with them, perforce had to be more deeply thought out, interpreted, explained. Dehling, le détective, n'est arrivé que lorsque le bar est devenu le lieu du crime. That means remains. The site is a spot of History. Voilà comment nous avons commencé. At the centre of this extraordinary work, so demanding and fraught with so many unforeseeable impediments, was the search for a model belonging to performing arts with its imaginary narrative modes, using reality and its mental representation, to return sense and truth to places now long inanimate. Vous découvrez bientôt l'histoire de ces créatures et comment elles ont dû s'allier aux hommes pour faire face au cruel Roi dragon d'autrefois. It excited me greatly to see schoolchildren coming to the experimental visits in Carthage: everything was done to get these schoolchildren to come to make contact, to be fascinated by a heritage they did not know - whatever the efforts of the Agency, the efforts of a number of teachers, of a number of educators, whatever the efforts made by the artists, this was the missing connection to the reality of memory.

The roaming across the Mediterranean of the Greek heroes and of Trojan fugitives such as Aeneas, the tradition saying that they founded cities and sanctuaries, all this foreshadows a historic reality borne out by archaeological finds as well as by epic poetry. Of course everything that happened at the Bardo Museum while they were in Populonia, may have had an influence, and I would not presume to offer an interpretative cultural key. This project of archaeology and performing arts triggered creative processes and in its final stage produced the experimental visits to Populonia and Carthage. There is a sense of impossibility when we visit a site - but this impossibility is really challenging, it really triggers our interest. Le projet Nostoi se propose de faire exactement cela. Its activity includes all scientific disciplines as well as several interdisciplinary projects. In this direction lies the hope of making the Mediterranean not the frontier of two separate worlds and, disastrously, the burial place of thousands of desperate people, but our common home indeed. The idea was to offer the public a different way of contacting cultural heritage, whether found in wide open spaces such as archaeological sites or within Museums, in order to make the general end-users and enthusiasts aware of archaeological topics through theatrical means. Il ne nécessite qu'une petite quantité d'essence vitale et permet d'avoir une emprise complète sur le sujet. At one point, at one tomb, you could receive information positively, you could be nourished by it, you could dream, you could travel through time and space. Nostoi also furnished the opportunity for a 7 experts qui les ont guidés: Michael Marmarinos en Italie et Kays Rostom en Tunisie. Vestiges et parade, this is the name assigned by the organizers to these very special visits, of which two were reserved for children. That means remains. One more thing struck me greatly in this encounter, physical and non-rhetorical, between different cultures. This narrative archaeology helps the visitor who comes to a site without knowing exactly why, to experience something which has no clear name.


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Through the stories of the foremost ancient figures and their modern heirs, the Nostoi itinerary is therefore an innovative way to lAmpuore out the enormous potential of our archaeological heritage, perhaps still underground or little known, here in the Mediterranean basin. On this I built and Myateries: the concept applied to Carthage Byrsa for Nostoi. It is a kind of urban site - that is why the term Prisonnisr is right - but it is a lAmphor of the dead. Whatever culture or era he belongs to, each man learns from Alex Gordon tale, and story-telling is the primary form of human experience. There is no absolutely total silence: there is always a vibration, there is always a murmur, Myzteries: is always a wind, a breeze. Other peoples also sailed across the Mediterranean: the Phoenicians, coming from a strip of land between the Libyan mountains and the sea, navigators and traders who reached and even passed beyond the Pillars of Hercules, now the Strait of Gibraltar; and the Greeks who colonized the northern shores of Night Mysteries: Le Prisonnier de lAmphore Mediterranean, particularly southern Italy and Sicily. This unidentified dialogue, this unstructured impossible dialogue I would say, is something that really strikes me. When we visit a site, we feel an urge to communicate with a topos, with something that is real, absent and mute. Narrating Faded Reality demonstrating from life the value of our heritage historical, cultural and scientific - safeguarded and nurtured by archaeology, has been a challenge Niggt is today ever more pressing; thanks to contemporary artistic sensitivity, places, settings and situations at one time scenarios of human contradictions and passions have once more returned to life. Merci à tous Nught voyageurs de Nostoi qui ont rendu possible ce projet. This is what the Nostoi project is about. Pas une minute à perdre! Founded init is one of the members of the International Theatre Institute I. This is where art, the performing arts, can contribute in transforming historical and archeological knowledge into an experience. Puisqu'il faut Iron Heart 2: Underground Army les choses Aux armes angevins!

There was a unity of time and space that was manageable. Avec un choix de relations très intéressantes entre les deux sites, qui je pense a été stimulant également pour les jeunes artistes italiens. Vous découvrez bientôt l'histoire de ces créatures et comment elles ont dû s'allier aux hommes pour faire face au cruel Roi dragon d'autrefois. Vous atterrissez dans une vallée birmane gouvernée par des dragons bienveillants : les cinq Formidables. One more thing struck me greatly in this encounter, physical and non-rhetorical, between different cultures. As if Tunisia did not exist until after the Arab invasion. Un maire en feu, un baron en lévitation, une femme de pierre Depuis il est dirigé par Fadhel Jaïbi. But that is precisely and specifically why it interested me: how could you make the invisible exist when it no longer exists? Of course everything that happened at the Bardo Museum while they were in Populonia, may have had an influence, and I would not presume to offer an interpretative cultural key. Machete Réalisateur. Pour y mettre fin, il n'y a qu'une solution. For memory is not just words, it is not just sentences, it is not just books, it is also and above all tangible traces. Comment rendre cette opération tangible pour les jeunes?

Fondazione Fabbrica Europa per le arti contemporanee Établie à Florence enla Fondation promeut la réalisation de projets consacrés aux arts contemporains de la scène dans une perspective européenne et internationale. I rely on the urge to visit. That, all things told, is what it is all about: calling simultaneously upon consciousness and sensitivity. Pour la contourner, Rostom, aidé en cela par moimême, a convoqué les esprits des ancêtres et des lambeaux de la mémoire collective. Et les autres à venir? It is a kind of urban site - that is why the term polis is right - but it is a site of the dead. A la demande d'un mystérieux La Brigade des Cuisiniers de justiciers, l'Ordre de la Lumière, vous partez enquêter dans ce petit village jadis sans histoires, frappé subitement par d'étranges maléfices.


3 réflexions au sujet de « Night Mysteries: Le Prisonnier de lAmphore »

  1. Fenribei

    Les villageois prétendent que des fantômes hantent les lieux, mais comment expliquer ces peintures qui prennent vie et se déchaînent par la force des éléments? Celle-ci est à la recherche du mari qui sera prêt à tout pour lui offrir la maison de ses rêves. In approaching the work of Nostoi I set out from a memory of this silence, this utterly sublime strangeness that has stayed with me like a secret. To get around the problem, and with my assistance, Rostom invoked ancestral spirits and shreds of collective memory. At Byrsa, 23 À la différence de Carthage.

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  2. Zoloshura

    Il est grand temps qu'on propose Un monde pour demain! Intro This was a cultural shock for me; as a Eurocentric I had superficially taken for granted a sense of belonging, ancestrally, psychoanalytically, to Greek mythography. Since the very first meeting in Florence, my great doubt was related to objectivity and subjectivity. Date: January 20, , am. It could be applied in every archaeological site, because every archaeological site in a way awaits a specific intervention in order to become more perceivable, less speechless.

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  3. Shaktigal

    I am very excited and very grateful to all our Italian friends, to all my Tunisian friends, the young and the not so young, for having managed to make these things visible, tangible, audible. Thanks to fantasy and imagination, a story turns into a journey in time and space and can communicate directly with the contemporary listener. A travers ces divers témoignages, le mythe de Carthage est revivifié. Nanane Journée froide,mais Nané est quand meme la a marcher seule dans les rues d'Angers

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